Juxtaposition: Gorgeous landscapes... let's just pause and look at them for a bit...
Beauty in near-harvest fields, beauty in rain splashing down in wild, airy countryside and... also something that made me grin.
I -love- weird, ironic, or amusing juxtapositions.
Or juxtapositions that are beautiful through complementing or contrasting each-other… like two writers from different centuries who come to the same conclusion—but with language or stories that differ wildly… or like two images that seem to do nothing but contrast with each-other until you stare at them for a time.
“It was that time of the year, the turning-point of summer, when the crops of the present year are a certainty, when one begins to think of the sowing for next year, and the mowing is at hand; when the rye is all in ear, though its ears are still light, not yet full, and it waves in gray-green billows in the wind; when the green oats, with tufts of yellow grass scattered here and there among it, droop irregularly over the late-sown fields; when the early buckwheat is already out and hiding the ground; when the fallow lands, trodden hard as stone by the cattle, are half ploughed over, with paths left untouched by the plough; when from the dry dung-heaps carted onto the fields there comes at sunset a smell of manure mixed with meadow-sweet, and on the low-lying lands the riverside meadows are a thick sea of grass waiting for the mowing, with blackened heaps of the stalks of sorrel among it.”
—Leo Tolstoy, “Anna Karenina”
“In strict accordance with the peculiar nature of this country of uncertainties, it came to pass one day, that in the midst of a shower of rain that might well be called golden, seeing the sun, shining as it fell, turned all its drops into molten topazes, and every drop was good for a grain of golden corn, or a yellow cowslip, or a buttercup, or a dandelion at least;—while this splendid rain was falling, I say, with a musical patter upon the great leaves of the horse-chestnuts, which hung like Vandyke collars about the necks of the creamy, red-spotted blossoms, and on the leaves of the sycamores, looking as if they had blood in their veins, and on a multitude of flowers, of which some stood up and boldly held out their cups to catch their share, while others cowered down, laughing, under the soft patting blows of the heavy warm drops;—while this lovely rain was washing all the air clean from the motes, and the bad odors, and the poison-seeds that had escaped from their prisons during the long drought;—while it fell, splashing and sparkling, with a hum, and a rush, and a soft clashing—but stop! I am stealing, I find, and not that only, but with clumsy hands spoiling what I steal:—
“O Rain! with your dull twofold sound,
The clash hard by, and the murmur all round:”
—there! take it, Mr. Coleridge;—while, as I was saying, the lovely little rivers whose fountains are the clouds, and which cut their own channels through the air, and make sweet noises rubbing against their banks as they hurry down and down, until at length they are pulled up on a sudden, with a musical plash, in the very heart of an odorous flower, that first gasps and then sighs up a blissful scent, or on the bald head of a stone that never says, Thank you;—while the very sheep felt it blessing them, though it could never reach their skins through the depth of their long wool, and the veriest hedgehog—I mean the one with the longest spikes—came and spiked himself out to impale as many of the drops as he could;—while the rain was thus falling, and the leaves, and the flowers, and the sheep, and the cattle, and the hedgehog, were all busily receiving the golden rain, something happened.” It was not a great battle, nor an earthquake, nor a coronation, but something more important than all those put together.
—George MacDonald, “A Double Story.”
